Season | 2018 || Print on paper Arche black 300 gm2 || 15 print’s | print 35,5 X 35,5 cm  || paper 73,5 X 54,5cm || by Youri Messen-Jaschin | Lausanne | Switzerland ||  Screen printing: Lorenz Boegli | atelier für Siebdruck Müntschemier | Switzerland  || ® Prolitteris 8024 Zürich

Youri Messen-Jaschin & Marina Ivanova ® Prolitteris Zürich


Lorenz Boegli
  • 15 print’s
  • Handmade rag paper radiant white | original deckle edge with watermark | 280g/m2
  • format paper 72 x 101 cm
  • format screen printing 48 x 48 cm

by Youri Messen-Jaschin | Lausanne | Switzerland ||  Screen printing: Lorenz Boegli | atelier für Siebdruck Müntschemier | Switzerland  | ® Prolitteris 8024 Zürich

  •  Porrentruy – Switzerland | PoPA Museum (Optical art Museum | 
  • present :
  • Youri Messen-Jaschin  Op art – 1965 to 2018 “
  • Opening 20 April 2018 |  7 pm. 
  • Exhibition 21 April to 21 May 2018 |
  • POPA Museum
  • 1ère Biennale 30 artistes travaillent le bois                                                                                  15 june to 15 september 2018                                                                                                                 CH Rossinière Switzerland
  • Autumn – Winter                                                                                                                                    Las Vegas | 2018 – 2019

ONE III | 1996 | gouache on paper
Youri Messen-Jaschin

40 x 40 cm                                                                                                                                             © Youri Messen-Jaschin                                                                                                                      ® Prolitteris Zürich

  • Ton travail est juste magnifique. Ton art optique ou… hypnotique (c’est selon) est pour le moins transcendant. Comme tes autres travaux, la lecture de cette oeuvre est complexe, multi-directionnelle et intemporelle.                                                                                                 Je crois comprendre pourquoi cela fait des décennies que tu t’accroches au Op’Art; les découvertes s’agissant des effets et donc des messages qu’une oeuvre est susceptible de faire passer, sont infinis. Le Op’Art drague et joue avec le mouvement perpétuel, la relativité et l’espace du temps.                                                                                    Marc
  • English version:                                                                                                                     Your work is just beautiful. Your optic art are hypnotic (that is according to) is at least transcendent. Like your other works, the reading of this work is complex, multi-directional and timeless. I understand why you’ve been clinging to Op Art for decades; The discoveries concerning the effects and therefore the messages which a work is capable of conveying are infinite. The op’ art dredges and plays with the perpetual motion, the relativity and the space-time.

This color, that the artist loves so much – and which is incidentally the basis of his work, plus movement – still doesn’t make an entertainer. Quite the contrary. When he is in front of a canvas or a sculpture project, it’s serious: “I am very meticulous and picky.” It is a guarantee of quality in his work. Besides, he immediately clarifies, “I am and have to be very quiet because if I paint a straight line, it must be perfect and not curved.” In days of old, the designation “Master” was reserved for a painter who succeeded in drawing a perfect circle freehand. In that respect, this designation is well deserved since, in addition, it allows him to control … the square!

Color: he always studied it in the various art schools he attended. “For me, color plays an important role, especially in optical art because the basic colors are always set in opposition to each other. And it is precisely by their confrontation that we obtain optical movement of the work. Op Art is certainly created with geometry, but mainly by color. By playing with it, you arrive in a third dimension.”
Chance or necessity, this colorful life spent in Op Art? Pure chance, he says without blinking. At the end of the 1960s. I was in Göteborg, at the Högskolan för Design & Konsthandwerk. In this city, an exhibition of kinetic art was held and attended by the Venezuelans Jesús Soto (now deceased), Carlos Cruz-Diez and the Argentine Julio Le Parc. Undecided, I was still hesitating between the abstract way – that didn’t bring me much – and the figurative. But visiting this exhibition, I immediately knew I was going to do this all my life. I then approached Soto who taught me some “stuff” in a fortnight. Then, I continued my research in my Swedish workshop while regularly submitting my sketches and drawings. After six months, he told me that I could start. I now was convinced that Op Art was the future of art. ” Create movement with  color”    had thus become a necessity.
In the apartment at Valmont, in Lausanne, where he has lived and created since 1984, the numerous paintings completed or in progress wait for the visitor who, in turn, sets them in motion. Provided he comes in head on, his eyes carefully take in the image and his brain.
Perceives the illusion. Once experienced, they’re impossible to resist, even if some of them have a destabilizing power. They make us see every color. This is living art, interactive and, as a supreme pleasure, totally dependent on one’s mood. I particularly like Youri’s work because his art is incapable of being frigid. Each encounter is likely to cause new enjoyment(s). A sacred slap in a figurative sense, where the final word is spoken at the first contact. Fortunately, Sweden made him give up taking the path of least resistance.
I still have to emphasize that this artistic choice, from the start, has brought luck to Youri Messen-Jaschin who makes a living out of his creativity – only unique pieces! – thanks to the passion and loyalty of collectors on five continents. Some have followed him from the beginning and others do not hesitate to come and see him in action all the way from Japan. The mention of this success colors him satisfied.
A reputation earned and recognized on the “Culture” pages of the first issue of L’Hebdo of… September 11, 1981!
We’ll certainly hear more about this gentleman. Especially with his new passion for amazing sculptures in Glass and Plexiglas – and colorful as it must be – with decidedly hypnotic powers. So next time you see this original character in the street, don’t hesitate to ask him to sign the photograph you have taken of him rather than let it get covered with dust.

Laurent Delaloye
contemporary art critic

Op art meets the neuroscience

RTS | night news of the Swiss television report “Brain project and Op art by Youri Messen-Jaschin”” 7.30 pm
A team from Lausanne University Hospital, laboratory of Neuroscience has joined an artist to understand the possibly to treat some psychiatric disorders with the Op art.

What you do not see in the video is the 3 dimension.
The camera can not yet captured this dimension, certainly in the future, not today.
Perpetuum Mobile VII
Op art
77 x 77 cm
available – price on request
Plexiglas and Oil painting
© 2016 | Youri Messen-Jaschin |
Video: 2016 | © Pierre-Michel Delessert ] Youri Messen-Jaschin
® 2016 | Prolitteris | 8033 Zurich |
Youri Messen-Jaschin Portofolio

Youri Messen-Jaschin new screenprinting Artifact I


  • 3D effects can not be perceived by the photo objective, you have to see the original to discover all effects, red is metallic..
    Artifact I
    1/15 prints
    Print 69 x 69,5 cm
    Mirriboard Paper 365 gm2
    available – price on request                                                                                                                   Exhibition in: Moscow | Channel One Television | November 2016
    © 2016 photography | Pierre-Michel Delessert| Switzerland
    ® Prolitteris Universitaetstrasse 100 CH. 8033 Zurich Switzerland
    Collector’s comment:
    USA: Youri, Your work is absolutely brilliant! What fantastic colors, and design.
    You are aways so innovative and ahead of the curve.

Youri Messen-Jaschin Op art

  • bas-relief | 120 x 142 x 0,4 cm | Plexiglas |
    available – price on request                                                                                                    Exhibition in Moscow | Channel One Television | November 2016
    © 2014 | Youri Messen-Jaschin
    © 2014 | photography | Pierre-Michel Delessert
    ® ProLitteris 8033 Zurich
    Youri Messen-Jaschin Portofolio

  • Blue I | 2013 |
    Paper: 101,5 x 71,5 cm
    Print: 68 x 68 cm
    Paper Lessebo Bright 400 g/m2
    screenprinting 1/15 | available: 5 print’s |
    available – price on request
    Publication Television
    RTS | Swiss Television | Night News 7.30 pm | 15.08.2016 |
    Published Book :
    2009 Visarte Vaud Editor Jean Genoud SA Switzerland
    2009 The Fascination of Technology – Faszination Technik What moves us – Was uns Bewegt Edition OSB Olympische Sport Bibliothek Cloppenburg Germany
    2010 Swiss Philatelic Post
    Museum collection
  • 2013 Tokyo Metropolitan Art Museum Japan.
    2013 Sakima Art Museum Préfecture d’Okinawa, Japan.                                                    2017 POPA Museum (Op art Museum) Porrentruy Switzerland
  • Exhibition
  • 2013 Tokyo Metropolitan Art Museum Japan.                                                                        2016 Moscow | Channel One Television | November
  • © Youri Messen-Jaschin
    ® ProLitteris 8033 Zurich
    Youri Messen-Jaschin Portofolio

Spiral | 2012 |

oil painting on wood
177 x 177 x 16,3 cm
Collection: POPA Museum | Op art Museum | Porrentruy | Switzerland                              Exhibition in Moscow | Channel One Television | November 2016
© Youri Messen-Jaschin
© photography Pierre-Michel Delessert
® ProLitteris 8033 Zurich
Grand Genève Magazine / N°.6 / 2015 / Geneva / Switzerland /

Youri Messen-Jaschin Portofolio